Shire of Collie Reece Harley Shire of Collie Reece Harley

Untitiled

Image source Taj Kempe

Artist: Ernie Turpin, Lousie Turnpin

Asset Type: Mural

Year of Work: 2006

Location: Collie Goods Shed, Forrest St (inside)

Provenance: Shire of Collie

Description: This series of two murals, located inside the Collie Goods Shed, tell the story of Collie’s rail heritage.

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Shire of Collie Reece Harley Shire of Collie Reece Harley

Jones Family

Image source Taj Kempe, David Dewsbury

Artist: Donald Cook

Asset Type: Mural

Year of Work: 2020

Location: Cnr Steere Street N & Forrest St

Provenance: Shire of Collie

Description: “Jones Family tells the story of David Jones and his young family – amongst the first group of colonial families sent to Collie, tasked with establishing the coal mining industry in town. The region would go on to produce power for over 123 years, playing a key part in making Western Australia what it is today.

In this mural, Mr Jones is placed into Ted Green’s Barber Shop, which previously stood where the Jones Arcade is today. There are small, detailed objects placed around the Barber Shop for the viewer to find, telling a personal story of Collie’s locals and of industries that Collie is transitioning into as the days of coal come to an end.

I strongly recommend a trip to the Coalfields Museum and Research History. You will be surprised by Collie’s colourful history!” Donald Cook

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Creed Birch

Image source Taj Kempe

Artist: Daek William

Asset Type: Mural

Year of Work: 2019

Location: 73 Steere St N (laneway)

Provenance: Shire of Collie

Description: Daek William transformed the side of the Red Cross building with a large mural developed around the theme of bikes, hikes and trails. The mural was developed in 2019 for Festiv Arty, Collie’s local art festival.

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Untitled

Image source Taj Kempe

Artist: Trudi Curran, Collie Community

Asset Type: Mural

Year of Work: 1999

Location: 24 Harvey St (rear wall facing carpark)

Provenance: Shire of Collie

Description: Dr. Keith Meadows asked Trudi Curran and the Collie Senior High School students to help depict a mural that illustrated opportunities available in Collie. A range of panels that were designed and painted by the students, Keith and some of the doctors at the practice were the result; a collaborative piece. A long, stylized shape that represented the Collie River was also created as a background to the design.

Collaborators: Dr Keith Meadows and other associated doctors at Collie River Valley Medical Centre; students from Collie Senior High School.

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The Endless Adventure

Image source Taj Kempe

Artist: Andrew Frazer, Lori Pensini, Collie Youth

Asset Type: Mural

Year of Work: 2016

Location: Cnr Steere Street N & Johnston St

Provenance: Shire of Collie

Description: The Endless Adventure responds to the themes of adventure, local exploration and home. The concept was developed during youth workshop focusing on shared stories and skill development. Developed in 2016 for Festiv Arty, Collie’s local art festival, the mural was installed over three days by Andrew, Lori & a group of passionate local Collie youth.

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A Love Letter

Image source Taj Kempe

Artist: Andrew Frazer, Collie Community

Asset Type: Mural

Year of Work: 2017

Location: 24 Harvey St (side wall facing laneway)

Provenance: Shire of Collie

Description: A Love Letter is about celebrating where you live – a love letter of appreciation. The concept was developed during a youth workshop focusing on shared stories and skill development. The mural was installed over three days by Andrew, Noel & a group of passionate local Collie youth, as part of Festive Arty, Collie’s local art festival.

Collaborators: Noel Barnes & Collie Youth (Lily McCallum, Asha Briggs, Lena Perry, Lewis Thomson, Brydie Hanns, Aspen Peel, Georgie-Rose Perry)

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Kulguty (meeting place)

Image source Taj Kempe

Artist: Basil Hart, Mark Dann, mentored by Troy Bennel

Asset Type: Mural

Year of Work: 2010

Location: Collie Visitor Centre, 154 Throssell St (inside)

Provenance: Shire of Collie

Description: Each year, the traditional Noongar people of this area would travel through the countryside following the seasons and settling where food was plentiful. After a stint inland, they would gather in an area like the one depicted in this artwork to wait for the orchids to flower. It was at this time they knew to follow the nearby Brunswick River to the coast where the fish would be running. Images of Noongar ancestors can be seeing the trees framing the artworks as a mark of respect for those that have passed.

The left-hand panel depicts a camping ground where the Noongar people would hold corrobarees involving traditional singing, tapping sticks and dance. There was always a fire burning for warmth, cooking and light. The water represents the Brunswick River.

The central panel shows the diversity of flora and fauna native to the area. When the trees used to blossom, there were spider and donkey orchids, berries, gumnuts and flowers. The Noongars knew there was feed in the river. Marron, crabs and cobblers all lived in the Brunswick River which then flows into the Collie River and continues into the estuary near Eaton.

The right-hand panel shows Noongar people leaving the campsite and travelling closer to the coast. The place they set up camp is known as the Kingston area today. This is something they did each year as they followed the feed and the seasons. This areas was a campsite for the local Noongar people who used it as a place to stop on their way to the coast. They walked along the Brunswick River and then the Collie River before continuing onto the estuary around Australind / Eaton.

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Ground

Image source Taj Kempe

Artist: Audrey Frenandes-Satar, Arif Satar

Asset Type: Mural

Year of Work: 2020

Location: Lot 5 Medic Street (Flooring Xtra side wall)

Provenance: Shire of Collie

Description: Ground is a panoptic drawing of the hills draped with patterns inspired by banksia seed pods, calling attention to the fragility of Collie’s ancient landscape where the river flows gently. Here, the richness of black coal emerges to balance the built environment, reminding us of the preciousness of the land and our interaction with it.

Conceptually, Ground is an act of drawing where moments in history are touched upon in gestures of ideation, such as historical buildings, housing for immigrants layered with threads of embroidery that made this place home. But most importantly, it is the soft hills of Collie that take centre stage, laboriously covered in patterns to remind us to look at the ground we walk on.

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Way 79

Image source Norm Wilson

Artist: Eric Bolt Blyth

Asset Type: Mural

Year of Work: 1979

Location: Coalfields Highway, opposite Cockram Rd

Provenance: Shire of Collie

Description: This mural depicts the WAY 79 logo, designed by Norm Wilson. It was painted by Eric Bolt Blyth. WAY 79, also referred to as WAY 1979, marked the sesquicentennial (or 150 years) since the European colonisation of Western Australia.

The first WAY 79 event was a New Year's Eve concert on the Perth Esplanade. Ken Colbung, a Nyoongar leader, had been invited to perform, using the occasion to hand an eviction notice to the Governor of Western Australia, Sir Wallace Kyle. Ken Colbung served this notice to the European occupants of Western Australia, on behalf of Western Australia's Aboriginal people. The notice was pointedly in the same form as that used by the State Housing Commission for eviction notices to Aboriginal tenants.

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You Are Home

Image source Taj Kempe

Artist: Andrew Frazer

Asset Type: Mural

Year of Work: 2020

Location: 85 Steere S N (back wall)

Provenance: Shire of Collie

Description: “As I travelled up the infamous hill from Bunbury to Collie in the early mornings I was continuously captivated by the landscape's beauty and majesty. The way the light would dart through the tree canopies dancing over the land, casting shadows over the winding road and carving out abstracted forms that ignited my imagination.

The warm yellows contrasted with the cooler shaded tones would fill me with anticipation for the day. It was the beginning of a new day and I wanted to capture this moment; to share this story and to offer it in a public space for viewers to pause, reflect and be refreshed.” Andrew Frazer

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Early Motoring

Image source Shire of Collie

Artist: Donald Cook

Asset Type: Mural

Year of Work: 2021

Location: Collie Veteran & Classic Car Club, Medic St near cnr of Harvey St

Provenance: Shire of Collie

Description: The car club mural is a depiction of a 1929 Plymouth Tourer that Harry Wiggers restored from a pile of parts. He began the restoration in the late 1980s and it was the first car in Collie put on a concessional licence.

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Reflections

Image source Shire of Collie

Image source Taj Kampe

Artist: Guido van Helten

Asset Type: Mural

Year of Work: 2020-2021

Location: Wellington Dam Wall, Wellington Dam Rd, Worsley

Provenance: Shire of Collie

Description: Guido van Helten’s 8,000 square metre mega-mural on the Wellington Dam wall is inspired by local stories and photographs.

Guido van Helten is an Australian born visual artist and photographer (1986). He is an internationally recognised artist creating contemporary street art throughout the world which is underpinned by his exploration of community and identity generated through photography and large-scale mural installations.

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